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Latin American Literature Today No. 10

Volume 1,

Number 10.

May,

2019

In our tenth issue, we question the values of literature and journalism in the post-truth age through the words of Mexican writer Juan Villoro and we explore new territories of digital literature in a dossier curated by Scott Weintraub. We also feature memories of the 1968 Tlatelolco Massacre told through graphic narrative, new perspectives on the translation of Shakespeare into Spanish with an essay from Braulio Fernández Biggs, and Wayuu literature from the Venezuelan side of the border than runs through their ancestral lands.

Table of Contents

Editor's Note

Editor's Note: May 2019

  • by Marcelo Rioseco
Featured Author: Juan Villoro

The Tourist in His Own Land: Juan Villoro before the Chronicle

  • by Rodrigo Figueroa

“The History of Literature is the History of the Progressive Conquest of Intimacy”: Literature in the Time of Post-Truth

  • by Juan Villoro

“All Forms of Passion Demand to Be Communicated”: A Conversation with Juan Villoro

  • by Marcelo Rioseco
Dossier: Digital Literature

(Post)Modern Peculiarities: The Production of Electronic Literature in Colombia

  • by Jaime Alejandro Rodríguez

I am a Machine and I Cannot Forget by Martín Rangel: Contemporary Mexican Electronic Poetry, a Robotic Simulation

  • by Luis Correa-Díaz

Latin American Electronic Literature Created by Women

  • by Thea Pitman

Digital Latin American Poetry: Experimental Language in the Times of Bits

  • by Claudia Kozak

Articulating the Digital desde la literatura in Latin America

  • by Scott Weintraub
Graphic Narrative

Fifty Years After Tlatelolco: “It’s troubling to come face to face with yourself.” An Interview with Luis Fernando

  • by Radmila Stefkova

Fifty (One) Years Later, We Are Still Drawing Tlatelolco

  • by Radmila Stefkova
Chronicle

Report from Something Like an Apocalypse

  • by Yéiber Román

Hebe Uhart: Her Simple, Incredible Time in Ecuador

  • by Edwin Madrid
Fiction

The Huntress

  • by Mayra Santos-Febres

The Last Lash

  • by Oswaldo Estrada

Ali

Poetry

Three Poems

  • by Margara Russotto
Essays

A House Devastated After a Hurricane: The Antimodern Writing of María Negroni

  • by Ismael Gavilán
Interviews

Mouthful of Samanta: An Interview with Megan McDowell

  • by Denise Kripper, Megan McDowell

Style Is a Watermelon: An Interview with Jimmy Santiago Baca

  • by Lucía Ortega Toledo
Indigenous Literature

Five Poems from Crepúsculo Guajiro

  • by Reinaldo de Fernández

Five Unpublished Poems from Dulce diosa de los ríos

  • by Jayariyú Farías Montiel

Jaya

  • by Weildler Guerra Curvelo

The Great Wayuu Nation Is Possible

  • by Estercilia Simanca Pushaina

Borders are Lines that Fade Away in the Desert

  • by Ana María Ferreira
Translation Previews and New Releases

From Impure Acts

  • by Ángelo Néstore

From Carnation and Tenebrae Candle

  • by Marosa di Giorgio
On Translation: Seeking Publisher

How Are We Editing Shakespeare in Spanish?

  • by Braulio Fernández Biggs
Nota Bene

Nota Bene: May 2019

  • by LALT Team
Book Reviews

Malas noticias desde La Isla by Carlos Gámez Pérez

  • by Elidio La Torre Lagares

La hija de la española by Karina Sainz Borgo

  • by Rosario López

El vértigo horizontal by Juan Villoro

  • by Luvia Estrella Morales

When I Walk Through That Door, I Am: An Immigrant Mother’s Quest by Jimmy Santiago Baca

  • by Lucía Ortega Toledo

Mírame by Antonio Ungar

  • by Rodrigo Mariño López

Cincinnati. Historia personal by Manuel Iris

  • by Jorge Fernández Granados

Mujeres que matan by Alberto Barrera Tyszka

  • by Raquel Rivas Rojas

Función del diálogo en la narrativa de Ernest Hemingway by Alfredo Bryce Echenique

  • by César Ferreira

La Construcción Poética de lo Sagrado en “Alturas de Macchu Picchu” de Pablo Neruda by Roberto Onell

  • by Jennipher de los Ángeles Román Navarro

Mundo cruel by Luis Negrón

  • by Daniel Torres
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