Eugenio Montejo (Caracas, 1938 - Valencia, Venezuela, 2008) was a poet, essayist, editor, and diplomat; his verse collections include: Élegos (1967); Muerte y Memoria (1972); Algunas Palabras (1976); Terredad (1978); Trópico Absoluto (1982); Alfabeto del Mundo (1986); Adiós al siglo XX (1992); Partitura de la cigarra (1999); Papiros amorosos (2002) y Fábula del escriba (2006). The majority of his essayistic work is collected in two volumes: La ventana oblicua (1974) and El taller blanco (1983). He also published many books under alternative names: El cuaderno de Blas Coll (1981); Guitarra del horizonte (by Sergio Sandoval, 1991); El hacha de seda (by Tomás Linden; 1995); Chamario (by Eduardo Polo, 2004), and La caza del relámpago (by Lino Cervantes, 2006). Among other honors, we was awarded the National Literature Prize in 1998 and the Octavio Paz International Prize for Poetry and Essay in 2004. An important volume of critical writing has been published on his work, which boasts a significant number of re-editions, extensions, and anthological volumes in several countries and in various languages.
I’ve said this before, I’ve written it elsewhere: even a short time ago—well, now not so short—I didn’t know Andrés Caicedo.
…I don’t lament those memories without a history, the homicides / perpetrated in the name of tenderness. Today the fire marks me / as if it were a part of the…
One day Nurit calls me to discuss my translation of her poems. Our conversations are always rapid-fire, cut-to-the-chase. We worked against the clock in our first collaboration, which created a…
