Skip to content
LALT-Iso-Black
  • menu
  • English
  • Español
Issue 39
Brazilian Literature

Three Poems from Ninguém quis ver

  • by Bruna Mitrano
Print Friendly, PDF & Email
  • September, 2026

herança

meu tio conta que certa vez
meu avô convulsionou atravessando a passarela
e rolou pela escada

ele vendia frutas num carrinho de mão

imagino maçãs e laranjas quicando nos degraus
sem esperar pelo corpo do meu avô
se debatendo em queda
dando com a cabeça em bocéis
inconsciente das pedras e das partes quebradas

igual a você
meu tio diz

igual a mim
que herdei a epilepsia
de um homem que não conheci

e o medo de atravessar passarelas.

contra este último
desenvolvi uma espécie de procedimento

olhar fixo pra frente
dar passos grandes
e lembrar que ainda
tenho um chão debaixo dos pés.

 

inheritance 

my uncle says that once
my grandpa had a seizure while crossing the footbridge
and tumbled down the stairs

he was selling fruit from a handcart

I imagine apples and oranges bouncing off the steps
without waiting for my grandpa’s body
thrashing as he fell
hitting his head on the tiers
oblivious to the rocks and his broken parts 

just like you
my uncle says

just like me
who inherited epilepsy
from a man I never knew

and the fear of crossing footbridges.

for the latter
I developed a sort of routine
stare straight ahead
take big steps
and remember that still
there is ground beneath my feet.

 

 

relógios grandes

pouco tempo depois de a tia fátima ir morar longe
encontrei uma caixa de sapatos moleca
em que ela guardava lembrancinhas de aniversário
e fotografias de várias épocas com o ano anotado no verso

a tia fátima gostava de ser fotografada na sala dos patrões
perto de relógios grandes
os patrões eram bons e não se importavam
nem com as fotos nem com os relógios
por isso ela acreditava que ganharia um de presente
mas isso nunca aconteceu

eu também não me importava com os relógios
(embora eu não fosse patroa)
(embora eu fosse a sobrinha a filha a neta da empregada)
e nas fotografias
me chamaram mais atenção os ponteiros
que às vezes marcavam sete da manhã
às vezes onze da noite
e a passagem do tempo no rosto da minha tia
às vezes liso
às vezes embrutado

ontem soube que a tia fátima morreu
imaginei suas últimas palavras
acho que ela não teria perguntado por mim
nem pela minha mãe ou pelos patrões
acho que ela teria perguntado as horas.

 

big clocks

soon after aunt fátima moved far away
I found a Moleca shoebox
where she kept birthday party favors
and photographs from different eras with the year written on the back

aunt fátima liked to be photographed in the bosses’ living room
near the big clocks
the bosses were kind and didn’t care
about the photos or the clocks
so she believed she’d get one as a gift
but that never happened

I didn’t care about the clocks either
(even though I wasn’t a boss)
(even though I was the niece the daughter the grandchild of housekeepers)
and in the photographs
what called my attention more were the clock hands
which sometimes said seven in the morning
sometimes eleven at night
and the passage of time on my aunt’s face
sometimes smooth
sometimes weathered

yesterday I learned that aunt fátima died
I imagined her last words
I don’t think she would’ve asked about me
not my mom or the bosses
I think she would have asked the time.

 

 

teresa

a primeira vez que vi
incendiarem um animal vivo
não pensei na justiça
só pensei no corpo
por que tão pequeno]
por que tão sem alma

a segunda vez que vi
incendiarem as casas do meu bairro
não pensei em mais nada

os olhos alimentaram o fogo
e Omolu dançou sob as palhas.

 

teresa 

the first time I saw
a living animal set on fire
I didn’t think of justice
I only thought about the body
why so small
why so soulless

the second time I saw
the houses in my neighborhood set on fire
I no longer thought of anything

the eyes fueled the flames
and Omolu danced beneath the straw.

 

Translated by Hannah McKenzie
Poems from Ninguém quis ver (Companhia das Letras, 2023)

 

Buy books by the authors and translators featured in this issue on our Bookshop page!

 

Photo: Brazilian writer Bruna Mitrano.
  • Bruna Mitrano

Bruna Mitrano is a writer and teacher born in 1985 in Senador Camará, a community on the periphery of Rio de Janeiro. She has contributed to more than twenty anthologies, including As 29 poetas hoje, organized by Heloisa Teixeira. Bruna’s poetry books include Não (Patuá, 2016) and Ninguém quis ver (Companhia das Letras, 2023)—the latter a semifinalist for the Prêmio Oceanos. 

  • Hannah McKenzie

Hannah McKenzie is a 2025 Bread Loaf Translators’ Conference participant. She frequently translates news articles on human rights issues and community organizing in Rio de Janeiro favelas for Brazilian NGO RioOnWatch. Based in Chicago, she works as an immigration paralegal supporting asylum cases.

PrevPreviousFive Sonnets from The Art of Killing
NextTales of Love, Madness and Death, translated by Diego Jourdan PereiraNext
RELATED POSTS

Isaiah Berlin’s Liberalism and the Return of Autocracies

By Ángel Rivero

Writing Around New Mexico in Ana Castillo’s So Far from God

By Anna M. Nogar

Given the critical attention that Ana Castillo’s novel set in New Mexico So Far from God has received since its 1993 publication, the divergent reactions it evokes among Mexican American…

Eduardo Halfon: Identity Under Construction: A Conversation with Aurelio Auseré Abarca and Luis Miguel Estrada Orozco

By Aurelio Auseré Abarca, Eduardo Halfon, Luis Miguel Estrada Orozco

The writer Eduardo Halfon (Guatemala, 1971) was the main guest of the 37th Conference of Romance Languages and Literatures at the University of Cincinnati, of which Aurelio Auseré Abarca and…

Footer Logo

University of Oklahoma
780 Van Vleet Oval
Kaufman Hall, Room 105
Norman, OK 73019-4037

  • Accessibility
  • Sustainability
  • HIPAA
  • OU Job Search
  • Policies
  • Legal Notices
  • Copyright
  • Resources & Offices
Updated 06/27/2024 12:00:00
  • SUBSCRIBE
Facebook-f X-twitter Instagram Envelope
LALT Logo SVG white letters mustard background

Subscriptions

Subscribe to our mailing list.
Latin American Literature Today Logo big width
MAGAZINE

Current Issue

Book Reviews

Back Issues

Author Index

Translator Index

PUBLISH IN LALT

Publication Guidelines

Guidelines for Translators

LALT AND WLT

Get Involved

Student Opportunities

GET TO KNOW US

About LALT

LALT Team

Mission

Editorial Board

LALT NOW
OUR DONORS
Subscribe
  • email