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Issue 39
Editor's Pick Poetry from the Southern Cone

Three Poems from The Empty Chalices (1913) 

  • by Delmira Agustini
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  • September, 2026

To Eros

Because you enslave the lioness
In chains stronger than Life, bound by
A chain of roses around your arm.

Because your body is the root, the Essential bond of divergent trunks
Of pleasure and pain, sprawling plants.

Because your beautiful, firm hand emerges, Like a mystic diamond brooch
The most intoxicating dispute with Death.

Because above Space I see you,
Bridge of light, scent, and melody,
Communicating heaven and hell.

—With burning soul and somber flesh . . . 

 

Your Mouth

My divine labor, over the Growing Rock of Pride. From a distant life,
A lively petal blew into me this morning,
A nightly kiss. Steadfast like mad, kept on going my divine labor on the stone.

When your voice melts like a sacred bell
In the sky bound note of human vibrato,
It tied its golden snare to the edge of your mouth;

—Astounding nest whirl, that mouth of yours!
Two rose petals clasping the abyss . . . —

Labor, glorious labor of pain and light;
Canvas where my spirit sowed itself!
You stay atop the rock of pride,

And I fall, endless, into the bloody abyss!

 

Silently…

By your lazy hands
My hair unravels;
Burning vertigo I suffer
Over two mocha mugs
By your warm pupils
Worse than mad am I driven
By the cream of your teeth
Within the strawberries of your mouth;

In flame I am torn asunder
By locking in your embrace,
Scorched by delirium
When I arise in your life,
All dressed in white.
All incensed with lilies!

 

Translated by Diego Jourdan Pereira

 

Buy books by the authors and translators featured in this issue on our Bookshop page!

 

Photo: Antonio Verdín, Unsplash.
  • Delmira Agustini

Delmira Agustini (1886-1914) was a Uruguayan poet. Supported in her education and ambition by her cultivated, bourgeois family, and admired by her male counterparts within Hispanic modernismo—including Rubén Darío (1867-1916), who would write the foreword to her third poetry collection,  Los cálices vacíos—Agustini’s unbridled, erotic verse not only made her a celebrated author in early twentieth century Montevideo, but also a figure of controversy when she became the country’s first divorcee shortly after her 1913 wedding. Gunned down by her ex-husband a year later, her untimely death catapulted her fame to nigh mythical proportions.

  • Diego Jourdan Pereira

A writer, illustrator and packager of trade books for general audiences—including storybooks for young readers, adult coloring books and puzzle books for seniors—the Covid 19 pandemic saw Diego Jourdan Pereira (b.1977) venture into the translation of Spanish and Portuguese language graphic novels and literary classics into English—both Amarican and British—garnering a reputation for meticulous research, which also encompasses the study of regional dialects and Native languages. He is also a frequent contributor to Writer’s Digest.

PrevPreviousThree Poems from Stone Pilgrims (1909) 
NextA Selection from Poems of Love (1926)Next
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