Skip to content
LALT-Iso-Black
  • menu
  • English
  • Español
Issue 8
Uncategorized

Rhizome

  • by Libia Brenda, Richard Zela
Print Friendly, PDF & Email
  • October, 2018

"Rhizome" by Libia Brenda and Richard Zela

"Rhizome" by Libia Brenda and Richard Zela

"Rhizome" by Libia Brenda and Richard Zela

"Rhizome" by Libia Brenda and Richard Zela

"Rhizome" by Libia Brenda and Richard Zela

"Rhizome" by Libia Brenda and Richard Zela

"Rhizome" by Libia Brenda and Richard Zela

"Rhizome" by Libia Brenda and Richard Zela

"Rhizome" by Libia Brenda and Richard Zela

Translated by Libia Brenda and David Bowles

  • Libia Brenda, Richard Zela

Libia Brenda (Puebla, 1974) studied Hispanic Language and Literature, has spent the last twenty years making books, and writes science fiction and fantasy short stories. She is the co-founder of the Cúmulo de Tesla collective (@Cumulodetesla), a multidisciplinary working group that promotes the dialogue between the arts and sciences, with a special focus on science fiction. She has published stories, reviews, and essays in online and printed magazines, as well as various anthologies, such as L’altra Penelope, Scrivere Donna; Especial Philip K. Dick, Así se acaba el mundo. Cuentos mexicanos apocalípticos, Futuros por cruzar: cuentos de ciencia ficción de la frontera México-Estados Unidos. She has a secret identity dedicated to gastronomy. She’s on Twitter: @tuitlibiesco

  • David Bowles
davidbowlesphoto

A Mexican-American author from deep South Texas, David Bowles is an assistant professor at the University of Texas Rio Grande Valley. Recipient of awards from the American Library Association, Texas Institute of Letters and Texas Associated Press, he has written a dozen or so books, including Flower, Song, Dance: Aztec and Mayan Poetry, the critically acclaimed Feathered Serpent, Dark Heart of Sky: Mexican Myths, and They Call Me Güero: A Border Kid’s Poems. In 2019, Penguin will publish The Chupacabras of the Rio Grande, co-written with Adam Gidwitz, and Tu Books will release his steampunk graphic novel Clockwork Curandera. His work has also appeared in multiple venues such as Journal of Children’s Literature, Rattle, Strange Horizons, Apex Magazine, Nightmare, Asymptote, Translation Review, Metamorphoses, Huizache, Eye to the Telescope, and Southwestern American Literature.  

PrevPrevious“A Truth Universally Acknowledged” by Julia Rios
Next“Octavio Paz Revisited” by Ismael GavilánNext
RELATED POSTS

The Master’s in Creative Writing: Writing in Community

By Federico Falco

I’d been living for a long time in Córdoba, the city where I’d studied and where I stayed to work after finishing college. I was about to turn 32. I’d…

Octavio Armand and the Undoing of Cuban’s Literary Tradition

By Johan Gotera

“Reticule 1,” the first of five sections from “Despair as Surface,” appeared in Piel menos mía [Skin less mine] (1976), one of Octavio Armand’s earliest books, but it seems to prefigure…

Nazi

By Raúl Flores Iriarte

There’s a dead Nazi under my table.

…
Footer Logo

University of Oklahoma
780 Van Vleet Oval
Kaufman Hall, Room 105
Norman, OK 73019-4037

  • Accessibility
  • Sustainability
  • HIPAA
  • OU Job Search
  • Policies
  • Legal Notices
  • Copyright
  • Resources & Offices
Updated 06/27/2024 12:00:00
Facebook-f X-twitter Instagram Envelope
Latin American Literature Today Logo big width
MAGAZINE

Current Issue

Book Reviews

Back Issues

Author Index

Translator Index

PUBLISH IN LALT

Publication Guidelines

Guidelines for Translators

LALT AND WLT

Get Involved

Student Opportunities

GET TO KNOW US

About LALT

LALT Team

Mission

Editorial Board

LALT BLOG
OUR DONORS
Subscribe
  • email
LALT Logo SVG white letters mustard background

Subscriptions

Subscribe to our mailing list.