{"id":44883,"date":"2026-03-15T00:32:28","date_gmt":"2026-03-15T06:32:28","guid":{"rendered":"https:\/\/latinamericanliteraturetoday.org\/reviewslist\/resenas-numero-37\/"},"modified":"2026-03-18T09:36:15","modified_gmt":"2026-03-18T15:36:15","slug":"resenas-numero-37","status":"publish","type":"reviewslist","link":"https:\/\/latinamericanliteraturetoday.org\/es\/lista\/resenas-numero-37\/","title":{"rendered":"Rese\u00f1as &#8211; N\u00famero 37"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"44883\" class=\"elementor elementor-44883 elementor-44875\" data-elementor-post-type=\"reviewslist\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-e0303c8 elementor-section-boxed elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"e0303c8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-436e034 ae-bg-gallery-type-default\" data-id=\"436e034\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-70da83a elementor-widget elementor-widget-heading\" data-id=\"70da83a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<span class=\"elementor-heading-title elementor-size-default\">N\u00famero 37<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2521da2 elementor-widget elementor-widget-heading\" data-id=\"2521da2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Rese\u00f1as<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fb36f95 elementor-post-navigation-borders-yes elementor-widget elementor-widget-post-navigation\" data-id=\"fb36f95\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-navigation.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-post-navigation\" role=\"navigation\" aria-label=\"Post Navigation\">\n\t\t\t<div class=\"elementor-post-navigation__prev elementor-post-navigation__link\">\n\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/lista\/resenas-numero-36\/\" rel=\"prev\"><span class=\"post-navigation__arrow-wrapper post-navigation__arrow-prev\"><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-angle-left\" viewBox=\"0 0 256 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M31.7 239l136-136c9.4-9.4 24.6-9.4 33.9 0l22.6 22.6c9.4 9.4 9.4 24.6 0 33.9L127.9 256l96.4 96.4c9.4 9.4 9.4 24.6 0 33.9L201.7 409c-9.4 9.4-24.6 9.4-33.9 0l-136-136c-9.5-9.4-9.5-24.6-.1-34z\"><\/path><\/svg><span class=\"elementor-screen-only\">Prev<\/span><\/span><span class=\"elementor-post-navigation__link__prev\"><span class=\"post-navigation__prev--label\">ANTERIOR<\/span><span class=\"post-navigation__prev--title\">Rese\u00f1as &#8211; N\u00famero 36<\/span><\/span><\/a>\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-post-navigation__separator-wrapper\">\n\t\t\t\t\t<div class=\"elementor-post-navigation__separator\"><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-post-navigation__next elementor-post-navigation__link\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-69fd7cc elementor-section-boxed elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"69fd7cc\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-dec364f ae-bg-gallery-type-default\" data-id=\"dec364f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-98d0145 elementor-section-boxed elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"98d0145\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;widescreen&quot;,&quot;desktop&quot;,&quot;laptop&quot;,&quot;tablet_extra&quot;,&quot;tablet&quot;,&quot;mobile_extra&quot;],&quot;sticky_offset&quot;:100,&quot;sticky_effects_offset&quot;:100,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_anchor_link_offset&quot;:0}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-97953da ae-bg-gallery-type-default\" data-id=\"97953da\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-88dd47d elementor-widget elementor-widget-image\" data-id=\"88dd47d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"790\" height=\"1024\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_LALT-Nro.-37_ESP-790x1024.jpg\" class=\"attachment-large size-large wp-image-45083\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_LALT-Nro.-37_ESP-790x1024.jpg 790w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_LALT-Nro.-37_ESP-232x300.jpg 232w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_LALT-Nro.-37_ESP-768x995.jpg 768w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_LALT-Nro.-37_ESP-1186x1536.jpg 1186w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_LALT-Nro.-37_ESP.jpg 1482w\" sizes=\"(max-width: 790px) 100vw, 790px\" title=\"\">\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d8ab1e4 elementor-widget__width-auto elementor-widget elementor-widget-heading\" data-id=\"d8ab1e4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">N\u00daMERO 37. <br>MARZO, 2026<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1a07cc2 elementor-widget elementor-widget-text-editor\" data-id=\"1a07cc2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">En nuestro n\u00famero treinta y siete, destacamos a una voz innovadora de la literatura latinoamericana contempor\u00e1nea: la escritora argentina Gabriela Cabez\u00f3n C\u00e1mara, ganadora del Premio Sor Juana In\u00e9s de la Cruz 2024 por su novela <\/span><i><span style=\"font-weight: 400;\">Las ni\u00f1as del naranjel<\/span><\/i><span style=\"font-weight: 400;\"> y del National Book Award for Translated Literature 2025, junto con Robin Myers, por la traducci\u00f3n de la misma novela al ingl\u00e9s como <\/span><i><span style=\"font-weight: 400;\">We Are Green and Trembling<\/span><\/i><span style=\"font-weight: 400;\">. Tambi\u00e9n ponemos en relieve el mundo audaz e ingenioso de las revistas contraculturales argentinas de los a\u00f1os ochenta y noventa con un dossier especial dedicado a la legendaria revista <\/span><i><span style=\"font-weight: 400;\">Cerdos &amp; Peces<\/span><\/i><span style=\"font-weight: 400;\">, con textos de Enrique Symns y Vera Land. Este n\u00famero tambi\u00e9n incluye dos ensayos seleccionados de nuestro III Concurso de Ensayos Literarios, poemas de Idea Vilari\u00f1o, entrevistas a Mempo Giardinelli, Emma Sep\u00falveda y Jos\u00e9 Mar\u00eda Mic\u00f3, fragmentos de nuevos libros en traducci\u00f3n de Francisco Maciel, Jeannette L. Clariond y Gabriel Payares y una conversaci\u00f3n exclusiva entre Will Morningstar y Samantha Schnee sobre su traducci\u00f3n colaborativa de la novela <\/span><i><span style=\"font-weight: 400;\">Quebrada<\/span><\/i><span style=\"font-weight: 400;\"> de Mariana Travacio.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-603d675 elementor-align-justify elementor-widget elementor-widget-button\" data-id=\"603d675\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/latinamericanliteraturetoday.org\/es\/numero\/numero-37\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-icon\">\n\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-arrow-right\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M190.5 66.9l22.2-22.2c9.4-9.4 24.6-9.4 33.9 0L441 239c9.4 9.4 9.4 24.6 0 33.9L246.6 467.3c-9.4 9.4-24.6 9.4-33.9 0l-22.2-22.2c-9.5-9.5-9.3-25 .4-34.3L311.4 296H24c-13.3 0-24-10.7-24-24v-32c0-13.3 10.7-24 24-24h287.4L190.9 101.2c-9.8-9.3-10-24.8-.4-34.3z\"><\/path><\/svg>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">TABLA DE CONTENIDOS<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-17a93cc ae-bg-gallery-type-default\" data-id=\"17a93cc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap 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data-widget_type=\"posts.custom\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t      <div class=\"ecs-posts elementor-posts-container elementor-posts   elementor-grid elementor-posts--skin-custom\" data-settings=\"{&quot;current_page&quot;:1,&quot;max_num_pages&quot;:1,&quot;load_method&quot;:&quot;&quot;,&quot;widget_id&quot;:&quot;c088ed6&quot;,&quot;post_id&quot;:44883,&quot;theme_id&quot;:44883,&quot;change_url&quot;:false,&quot;reinit_js&quot;:false}\">\n      \t\t<article id=\"post-44447\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44447 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-no-ficcion reviewers-maarten-van-delden\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44447 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-no-ficcion reviewers-maarten-van-delden\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/the-tree-within-the-mexican-nobel-laureate-octavio-pazs-years-in-india-by-indranil-chakravarty\/\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1178\" height=\"1896\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_The-Tree-Within-1-copia-2.jpg\" class=\"attachment-full size-full wp-image-44473\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_The-Tree-Within-1-copia-2.jpg 1178w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_The-Tree-Within-1-copia-2-186x300.jpg 186w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_The-Tree-Within-1-copia-2-636x1024.jpg 636w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_The-Tree-Within-1-copia-2-768x1236.jpg 768w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_The-Tree-Within-1-copia-2-954x1536.jpg 954w\" sizes=\"(max-width: 1178px) 100vw, 1178px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/the-tree-within-the-mexican-nobel-laureate-octavio-pazs-years-in-india-by-indranil-chakravarty\/\"><i>The Tree Within: The Mexican Nobel Laureate Octavio Paz\u2019s Years in India<\/i> by Indranil Chakravarty<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/maarten-van-delden\/\" rel=\"tag\">Maarten van Delden<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44430\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44430 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-francesco-di-bernardo-es\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44430 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-francesco-di-bernardo-es\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/el-ano-en-que-hablamos-con-el-mar-de-andres-montero\/\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1009\" height=\"1600\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_El-ano-en-que-hablamos-con-el-mar-1.jpg\" class=\"attachment-full size-full wp-image-44425\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_El-ano-en-que-hablamos-con-el-mar-1.jpg 1009w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_El-ano-en-que-hablamos-con-el-mar-1-189x300.jpg 189w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_El-ano-en-que-hablamos-con-el-mar-1-646x1024.jpg 646w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_El-ano-en-que-hablamos-con-el-mar-1-768x1218.jpg 768w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_El-ano-en-que-hablamos-con-el-mar-1-969x1536.jpg 969w\" sizes=\"(max-width: 1009px) 100vw, 1009px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/el-ano-en-que-hablamos-con-el-mar-de-andres-montero\/\"><i>El a\u00f1o en que hablamos con el mar<\/i> de Andr\u00e9s Montero<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/francesco-di-bernardo-es\/\" rel=\"tag\">Francesco Di Bernardo<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44431\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44431 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-ben-bollig\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44431 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-ben-bollig\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/el-buen-mal-de-samanta-schweblin\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"322\" height=\"550\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_El-buen-mal-1.jpg\" class=\"attachment-full size-full wp-image-44426\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_El-buen-mal-1.jpg 322w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_El-buen-mal-1-176x300.jpg 176w\" sizes=\"(max-width: 322px) 100vw, 322px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/el-buen-mal-de-samanta-schweblin\/\"><i>El buen mal<\/i> de Samanta Schweblin<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/ben-bollig\/\" rel=\"tag\">Ben Bollig<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44432\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44432 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-poesia reviewers-dafne-malvasi\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44432 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-poesia reviewers-dafne-malvasi\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/fader-de-beatriz-actis\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"925\" height=\"1350\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Fader-1.jpg\" class=\"attachment-full size-full wp-image-44427\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Fader-1.jpg 925w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Fader-1-206x300.jpg 206w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Fader-1-702x1024.jpg 702w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Fader-1-768x1121.jpg 768w\" sizes=\"(max-width: 925px) 100vw, 925px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/fader-de-beatriz-actis\/\"><i>Fader<\/i> de Beatriz Actis<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/dafne-malvasi\/\" rel=\"tag\">Dafne Malvasi<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44433\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44433 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-no-ficcion reviewers-miguel-gomes-es\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44433 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-no-ficcion reviewers-miguel-gomes-es\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/la-vida-interrumpida-cronicas-de-un-regreso-a-caracas-de-pedro-plaza-salvati\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1766\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/La-vida-interrumpida-Cronicas-de-un-regreso-a-Caracas-de-Pedro-Plaza-Salvati.jpeg\" class=\"attachment-full size-full wp-image-45050\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/La-vida-interrumpida-Cronicas-de-un-regreso-a-Caracas-de-Pedro-Plaza-Salvati.jpeg 1200w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/La-vida-interrumpida-Cronicas-de-un-regreso-a-Caracas-de-Pedro-Plaza-Salvati-204x300.jpeg 204w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/La-vida-interrumpida-Cronicas-de-un-regreso-a-Caracas-de-Pedro-Plaza-Salvati-696x1024.jpeg 696w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/La-vida-interrumpida-Cronicas-de-un-regreso-a-Caracas-de-Pedro-Plaza-Salvati-768x1130.jpeg 768w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/La-vida-interrumpida-Cronicas-de-un-regreso-a-Caracas-de-Pedro-Plaza-Salvati-1044x1536.jpeg 1044w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/la-vida-interrumpida-cronicas-de-un-regreso-a-caracas-de-pedro-plaza-salvati\/\"><i>La vida interrumpida: cr\u00f3nicas de un regreso a Caracas<\/i> de Pedro Plaza Salvati<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/miguel-gomes-es\/\" rel=\"tag\">Miguel Gomes<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44438\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44438 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-poesia reviewers-inmaculada-lergo-martin\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44438 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-poesia reviewers-inmaculada-lergo-martin\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/poesia-ultima-de-ricardo-pena-barrenechea\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1308\" height=\"1920\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Poesia-ultima-1.jpg\" class=\"attachment-full size-full wp-image-44434\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Poesia-ultima-1.jpg 1308w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Poesia-ultima-1-204x300.jpg 204w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Poesia-ultima-1-698x1024.jpg 698w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Poesia-ultima-1-768x1127.jpg 768w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Poesia-ultima-1-1046x1536.jpg 1046w\" sizes=\"(max-width: 1308px) 100vw, 1308px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/poesia-ultima-de-ricardo-pena-barrenechea\/\"><i>Poes\u00eda \u00faltima<\/i> de Ricardo Pe\u00f1a Barrenechea<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/inmaculada-lergo-martin\/\" rel=\"tag\">Inmaculada Lergo Mart\u00edn<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44439\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44439 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-no-ficcion reviewers-alonso-rabi-do-carmo-es-2\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44439 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-no-ficcion reviewers-alonso-rabi-do-carmo-es-2\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/aguafuertes-de-carlos-schwalb\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"266\" height=\"349\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Aguafuertes-1.png\" class=\"attachment-full size-full wp-image-44435\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Aguafuertes-1.png 266w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Aguafuertes-1-229x300.png 229w\" sizes=\"(max-width: 266px) 100vw, 266px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/aguafuertes-de-carlos-schwalb\/\"><i>Aguafuertes<\/i> de Carlos Schwalb<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/alonso-rabi-do-carmo-es-2\/\" rel=\"tag\">Alonso Rab\u00ed do Carmo<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44440\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44440 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-jeremias-gamboa\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44440 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-jeremias-gamboa\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/vocacion-de-luis-hernan-castaneda\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"945\" height=\"1441\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Vocacion-1.jpg\" class=\"attachment-full size-full wp-image-44436\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Vocacion-1.jpg 945w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Vocacion-1-197x300.jpg 197w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Vocacion-1-672x1024.jpg 672w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Vocacion-1-768x1171.jpg 768w\" sizes=\"(max-width: 945px) 100vw, 945px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/vocacion-de-luis-hernan-castaneda\/\"><i>Vocaci\u00f3n<\/i> de Luis Hern\u00e1n Casta\u00f1eda<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/jeremias-gamboa\/\" rel=\"tag\">Jerem\u00edas Gamboa<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44441\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44441 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-poesia reviewers-yeiber-roman-es-2\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44441 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-poesia reviewers-yeiber-roman-es-2\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/nadine-de-luiza-romao-traduccion-de-sofia-crespo-madrid\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"520\" height=\"731\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Nadine-1.jpg\" class=\"attachment-full size-full wp-image-44437\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Nadine-1.jpg 520w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Nadine-1-213x300.jpg 213w\" sizes=\"(max-width: 520px) 100vw, 520px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/nadine-de-luiza-romao-traduccion-de-sofia-crespo-madrid\/\"><i>Nadine<\/i> de Luiza Rom\u00e3o, traducci\u00f3n de Sof\u00eda Crespo Madrid<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/yeiber-roman-es-2\/\" rel=\"tag\">Y\u00e9iber Rom\u00e1n<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44448\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44448 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-gonzalo-schwenke\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44448 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-gonzalo-schwenke\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/oye-gabriela-de-elisa-clark\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1234\" height=\"1920\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Oye-Gabriela-1.jpg\" class=\"attachment-full size-full wp-image-44443\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Oye-Gabriela-1.jpg 1234w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Oye-Gabriela-1-193x300.jpg 193w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Oye-Gabriela-1-658x1024.jpg 658w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Oye-Gabriela-1-768x1195.jpg 768w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Oye-Gabriela-1-987x1536.jpg 987w\" sizes=\"(max-width: 1234px) 100vw, 1234px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/oye-gabriela-de-elisa-clark\/\"><i>Oye Gabriela<\/i> de Elisa Clark<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/gonzalo-schwenke\/\" rel=\"tag\">Gonzalo Schwenke<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44449\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44449 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-poesia reviewers-hector-torres\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44449 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-poesia reviewers-hector-torres\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/absoluto-de-maria-antonieta-flores\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"434\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_absoluto-1.jpg\" class=\"attachment-full size-full wp-image-44444\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_absoluto-1.jpg 300w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_absoluto-1-207x300.jpg 207w\" sizes=\"(max-width: 300px) 100vw, 300px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/absoluto-de-maria-antonieta-flores\/\"><i>absoluto<\/i> de Mar\u00eda Antonieta Flores<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/hector-torres\/\" rel=\"tag\">H\u00e9ctor Torres<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44429\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44429 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-no-ficcion reviewers-nestor-sanguinetti\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44429 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-no-ficcion reviewers-nestor-sanguinetti\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/escrito-sobre-la-peste-de-rafael-courtoisie\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"374\" height=\"564\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Escrito-sobre-la-peste-2.jpg\" class=\"attachment-full size-full wp-image-44424\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Escrito-sobre-la-peste-2.jpg 374w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Escrito-sobre-la-peste-2-199x300.jpg 199w\" sizes=\"(max-width: 374px) 100vw, 374px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/escrito-sobre-la-peste-de-rafael-courtoisie\/\"><i>Escrito sobre la peste<\/i> de Rafael Courtoisie<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/nestor-sanguinetti\/\" rel=\"tag\">N\u00e9stor Sanguinetti<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44450\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44450 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-poesia reviewers-ernesto-gonzalez-barnert\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44450 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-poesia reviewers-ernesto-gonzalez-barnert\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/show-de-doloroso-entretenimiento-de-alejandro-cortes-gonzalez\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1849\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Show-de-doloroso-entretenimiento-1.webp\" class=\"attachment-full size-full wp-image-44445\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Show-de-doloroso-entretenimiento-1.webp 1200w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Show-de-doloroso-entretenimiento-1-195x300.webp 195w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Show-de-doloroso-entretenimiento-1-665x1024.webp 665w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Show-de-doloroso-entretenimiento-1-768x1183.webp 768w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Show-de-doloroso-entretenimiento-1-997x1536.webp 997w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/show-de-doloroso-entretenimiento-de-alejandro-cortes-gonzalez\/\"><i>Show de doloroso entretenimiento<\/i> de Alejandro Cort\u00e9s Gonz\u00e1lez<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/ernesto-gonzalez-barnert\/\" rel=\"tag\">Ernesto Gonz\u00e1lez Barnert<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44451\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44451 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-no-ficcion reviewers-lina-gabriela-cortes\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44451 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-no-ficcion reviewers-lina-gabriela-cortes\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/critica-anfibia-metodos-y-espacios-de-accion-de-los-estudios-de-la-literatura-contemporanea-de-lucia-tennina\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"518\" height=\"780\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Critica-anfibia-1.jpg\" class=\"attachment-full size-full wp-image-44446\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Critica-anfibia-1.jpg 518w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Critica-anfibia-1-199x300.jpg 199w\" sizes=\"(max-width: 518px) 100vw, 518px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/critica-anfibia-metodos-y-espacios-de-accion-de-los-estudios-de-la-literatura-contemporanea-de-lucia-tennina\/\"><i>Cr\u00edtica anfibia: M\u00e9todos y espacios de acci\u00f3n de los estudios de la literatura contempor\u00e1nea<\/i> de Luc\u00eda Tennina<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/lina-gabriela-cortes\/\" rel=\"tag\">Lina Gabriela Cort\u00e9s<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44454\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44454 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-arthur-malcolm-dixon-es-2\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44454 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-arthur-malcolm-dixon-es-2\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/crocodiles-at-night-by-gisela-heffes-translated-by-grady-c-wray\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1920\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Crocodiles-at-Night-1.webp\" class=\"attachment-full size-full wp-image-44452\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Crocodiles-at-Night-1.webp 1200w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Crocodiles-at-Night-1-188x300.webp 188w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Crocodiles-at-Night-1-640x1024.webp 640w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Crocodiles-at-Night-1-768x1229.webp 768w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Crocodiles-at-Night-1-960x1536.webp 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/crocodiles-at-night-by-gisela-heffes-translated-by-grady-c-wray\/\"><i>Crocodiles at Night<\/i> by Gisela Heffes, translated by Grady C. Wray<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/arthur-malcolm-dixon-es-2\/\" rel=\"tag\">Arthur Malcolm Dixon<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<article id=\"post-44455\" class=\"elementor-post elementor-grid-item ecs-post-loop post-44455 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-alvaro-trejo\">\n\t\t\t\t<div data-elementor-type=\"loop\" data-elementor-id=\"10256\" class=\"elementor elementor-10256 elementor-7212 elementor-7212 post-44455 book_review type-book_review status-publish has-post-thumbnail hentry tag-numero-37 review_sections-ficcion reviewers-alvaro-trejo\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2cb2d405 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2cb2d405\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4589e3dc ae-bg-gallery-type-default\" data-id=\"4589e3dc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-b6430f8 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"b6430f8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-776c40e ae-bg-gallery-type-default\" data-id=\"776c40e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4abcf33c elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"4abcf33c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/los-espectros-de-christian-elguera-olortegui\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"874\" height=\"1131\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Los-espectros-1.jpg\" class=\"attachment-full size-full wp-image-44453\" alt=\"\" srcset=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Los-espectros-1.jpg 874w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Los-espectros-1-232x300.jpg 232w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Los-espectros-1-791x1024.jpg 791w, https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2026\/03\/Portada_Los-espectros-1-768x994.jpg 768w\" sizes=\"(max-width: 874px) 100vw, 874px\" title=\"\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-inner-section elementor-element elementor-element-dab2261 elementor-section-full_width elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"dab2261\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5a82048 ae-bg-gallery-type-default\" data-id=\"5a82048\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2112f7 elementor-widget elementor-widget-heading\" data-id=\"f2112f7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/rese\u00f1as\/los-espectros-de-christian-elguera-olortegui\/\"><i>Los espectros<\/i> de Christian Elguera Olortegui<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10022ad elementor-widget elementor-widget-heading\" data-id=\"10022ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Por   <a href=\"https:\/\/latinamericanliteraturetoday.org\/es\/reviewers\/alvaro-trejo\/\" rel=\"tag\">\u00c1lvaro Trejo<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>&#8230;<\/p>\n","protected":false},"featured_media":45083,"template":"","class_list":["post-44883","reviewslist","type-reviewslist","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/reviewslist\/44883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/reviewslist"}],"about":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/types\/reviewslist"}],"version-history":[{"count":6,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/reviewslist\/44883\/revisions"}],"predecessor-version":[{"id":45108,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/reviewslist\/44883\/revisions\/45108"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/media\/45083"}],"wp:attachment":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/media?parent=44883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}