{"id":36882,"date":"2024-09-23T13:02:51","date_gmt":"2024-09-23T19:02:51","guid":{"rendered":"https:\/\/latinamericanliteraturetoday.org\/2024\/09\/seeking-publisher-hard-earth-translated-by-erin-goodman-and-on-the-edge-of-the-horizon-translated-by-jonathan-bennett-bonilla\/"},"modified":"2024-09-25T22:32:24","modified_gmt":"2024-09-26T04:32:24","slug":"seeking-publisher-hard-earth-translated-by-erin-goodman-and-on-the-edge-of-the-horizon-translated-by-jonathan-bennett-bonilla","status":"publish","type":"post","link":"https:\/\/latinamericanliteraturetoday.org\/es\/2024\/09\/seeking-publisher-hard-earth-translated-by-erin-goodman-and-on-the-edge-of-the-horizon-translated-by-jonathan-bennett-bonilla\/","title":{"rendered":"Seeking Publisher: Hard Earth, translated by Erin Goodman, and On the Edge of the Horizon, translated by Jonathan Bennett Bonilla"},"content":{"rendered":"<p><b>Introductory Note from City of Asylum:<\/b><\/p>\n<p><span style=\"font-weight: 400;\">City of Asylum Pittsburgh is honored to have hosted Cuban writer and journalist Jorge Olivera Castillo as a writer-in-residence since November 2021. Jorge has published six books of poetry and two short story collections and is a well-known dissident, whose work has been banned in Cuba. It has been a great privilege to welcome Jorge to Pittsburgh as part of our residency program and to witness how he and his wife Nancy Alfaya Hernandez, a Cuban human rights and women\u2019s right activist in her own right, have flourished here. Jorge\u2019s newest collection of sonnets, <\/span><i><span style=\"font-weight: 400;\">En el filo del horizonte<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">On the Edge of the Horizon<\/span><\/i><span style=\"font-weight: 400;\">) was written during his time in residency in Pittsburgh and reflects themes of love, resilience, the despair of political turmoil, and his experience as an artist living in exile. Jorge\u2019s work has been translated into several languages, including Czech, English, Italian, and Polish.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Translator\u2019s Note by Erin Goodman:<\/b><\/p>\n<p><i><span style=\"font-weight: 400;\">Hard Earth<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">Tierra dura<\/span><\/i><span style=\"font-weight: 400;\">) is a short story collection by Cuban writer Jorge Olivera Castillo made up of fictional accounts of a soldier in Angola based on Olivera Castillo\u2019s own experiences. \u201cIt\u2019s safe to say that this book is the fruit of a miracle,\u201d says Olivera Castillo. \u201cIt\u2019s not easy to emerge relatively unscathed from a civil war that took place in the jungle and that lasted for almost thirty years (1975\u20132002). The few truces that occurred in this period only heightened the conflict. I arrived at that forlorn place at the age of nineteen in the summer of 1981. For twenty-six months I survived in underground shelters, exposed to diseases that almost killed me, sporadic bombardments, insomnia, and hunger. The daytime heat was oppressive, nighttime was cold, and fearsome wild animals made the rounds in the dark early mornings. In short, everything one could imagine from a context where death was as natural as the remarkable duality of lush forests and dusty savannahs: the only landscapes I saw until the day of my much-anticipated return.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">By the time Cuba\u2019s military engagement in Angola ceased in 1991, Cuban casualties numbered around 10,000 dead, wounded, or missing. In total, an estimated one million people were killed and millions more displaced as a result of the conflict. 2025 marks fifty years of independence in Angola, and fifty years since the start of the conflict that would last twenty-seven years. At the same time, the world has been returning to Cold War-era polarization, such that shedding light on another proxy war in Africa could be timely. These stories are told from a personal point of view, with very simplistic language and a matter-of-fact style that focuses on the implications of war on the psyche of young soldiers, rather than pushing any political agenda.<\/span><\/p>\n<h5 style=\"text-align: right;\"><span style=\"font-weight: 400;\">Erin Goodman<\/span><\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>\u201cThe Feast,\u201d from <\/b><b><i>Hard Earth<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">The skinless, gutless monkey burned on the bonfire.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It was small, but that didn\u2019t matter much. It would satisfy our hunger and that was enough. We were on the verge of a sunset characterized by thick reddish clouds that took on various shapes molded by the breeze..<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThat one looks like a horse,\u201d Arturo pointed his index finger toward the sky through the thin veil of smoke covering his face.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI don\u2019t think it looks like an animal. Hunger has stimulated your imagination,\u201d replied Ren\u00e9, crouching and turning the body of the headless primate on the wooden spit held up by stilts on each end of the campfire.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt wasn\u2019t an illusion. The cloud <\/span><i><span style=\"font-weight: 400;\">was<\/span><\/i><span style=\"font-weight: 400;\"> in the shape of a horse. Look! Now it\u2019s a crocodile,\u201d he enthused with his arm extended in the direction of another discovery.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">\u201c<\/span><i><span style=\"font-weight: 400;\">Compadre<\/span><\/i><span style=\"font-weight: 400;\">, stop looking up there. Come back to earth, where our problems are. I don\u2019t even have the strength to lift my head,\u201d said Bernardo.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI agree. An empty stomach is why you\u2019re seeing a whole zoo in the sky,\u201d said Ren\u00e9.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cNah. It\u2019s just a distraction from the hunger pangs.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWe&#8217;ll be eating in twenty minutes,\u201d Ren\u00e9 added.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The announcement stimulated the salivary glands of two of the three soldiers.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It would be their first bite in the two days they had been in the jungle. They supposed they were the only survivors who had managed to escape the devastating attack from the enemy troops.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Since their successful fugue, they had been wandering aimlessly through the dense vegetation that camouflaged hundreds of animals, some less evasive than the monkey on their spit.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Arturo had led the hunt. He hit the target on the third shot. There was just one bullet left in the only magazine. Ren\u00e9 and Bernardo only had their sharp Russian Kizlyar knives. Their firearms were long gone: both weapons rested at the bottom of the Bomkula River, relegated to a memory of how they had overcome that obstacle in a frantic chase that had begun amid a hail of bullets and explosions of mortar shells.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI need a break,\u201d said Ren\u00e9, pausing from spinning the animal\u2019s rapidly diminishing flesh.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cFrom what I can see, there\u2019ll be almost nothing left!\u201d exclaimed Bernardo, getting up to take over the cooking duties.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThat\u2019s normal, the volume decreases as it loses body fat. The point is to eat something, even if we\u2019re not satiated,\u201d said Ren\u00e9. \u201cSo, is this the first time you&#8217;ll be eating monkey?\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt\u2019s my third time,\u201d Bernardo interjected.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Before answering, Arturo made a face and sighed.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cHonestly, the first time I could hardly eat it,\u201d he said. \u201cThat was about six months ago in Benguela. We hunted four monkeys slightly larger than this one. I only had one bite and I swallowed it practically without chewing. My world was turned upside down. Although I wasn\u2019t as hungry then as I am right now\u2026\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cMaybe this time you\u2019ll wish you had more. Look how toasty it\u2019s getting. It couldn\u2019t be better. And who knows what\u2019s ahead in the coming days. We need to replenish our energy. Nobody knows how long we\u2019ll have to hold out. We\u2019re in limbo. It seems like there\u2019s no way out of this jungle, it\u2019s like we\u2019re trapped.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cRen\u00e9, you\u2019re right that when hunger strikes, there\u2019s no room for scruples. How long until dinner?\u201d Arturo joked.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bernardo assessed the hunk of smoking meat without interrupting his circular arm movement. The monkey would soon be taken off the rod and divided up equally.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThe feast begins in ten minutes,\u201d he announced, raising his voice slightly as if it were a special event. He had assumed the stance of a professional announcer with the palm of one hand cocked to the corner of his mouth to broadcast the news.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The darkness crept in stealthily, breaking the near picture-perfect twilight. The gentle, varied colors yielded to twilight\u2019s menacing shadows.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The three men were minutes away from a fleeting but vital moment of glory. They would face their second nighttime foray, now with only one bullet left and a pair of knives. At least their hunger would be somewhat sated by the bland flesh of the monkey.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">They would wholeheartedly celebrate the chance to break their fast and the fact that they were alive.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The sun showed its last flashes. Arturo, leaning against the trunk of an imposing tree, discovered the shape of another animal in one of the clouds blown by the wind.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">It\u2019s an elephant<\/span><\/i><span style=\"font-weight: 400;\">, he thought, without voicing the idea.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI think we can divvy it up now. It doesn\u2019t matter if it\u2019s a little raw inside,\u201d Ren\u00e9 suggested.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bernardo agreed, grasping the wooden stick by both ends and bringing it next to the fire near the tree where Arturo sat.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The chunk of meat was about eight inches long and barely four inches wide.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cAny more time and we would have had to settle for sucking on the bones,\u201d Ren\u00e9 commented.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWell, it\u2019s better than nothing,\u201d said Bernardo. With a couple of deft movements he extracted the spit from inside the ape and unsheathed his knife from the right side of his leather belt.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Arturo accepted his portion unenthusiastically. Bernardo had carved the meat like a professional butcher.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The soldiers began to quench their voracious appetites. They were aware of its limits. Their emergency dinner was rationed and bland.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ren\u00e9 bit frantically,\u00a0 hardly chewing. Arturo took his time between bites. He didn\u2019t feel as voracious as his companions who were determined to gnaw it down to the marrow.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Night thickened over the jungle. The curved sliver-moon was dulled by the fog, giving it a melancholy hue.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt was delicious, wasn\u2019t it?\u201d Bernardo exclaimed, before taking a sip of water from his canteen.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI have to admit that it wasn\u2019t bad,\u201d responded Arturo, gnashing at the last piece of meat. \u201cI didn\u2019t savor it like you did, but it was worth it. Now we can hold out until we can hunt something else or find our way out of this labyrinth.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cDon&#8217;t throw away the bone,\u201d said Ren\u00e9, holding out his hand.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI expect your solidarity, mate,\u201d said Bernardo with a wink to reinforce his message.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ren\u00e9 looked at him sideways without answering, concentrating on breaking the bone.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cHere you go,\u201d he said dryly.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cAre you upset?\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cNo, not at all. Everything\u2019s fine.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Arturo was the first to lean back against the tree.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In just over a minute, the flames of the bonfire reignited. Ren\u00e9 had rekindled it with remarkable skill.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Each soldier took his place around the base of the tree. The bark of the trunk showed thick, perfectly outlined striations, shadowy in the gloomy night yet tinged with fine embers from the fire flickering over the mound of dry branches.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The evening was intense. Darkness weighed on their exhausted bodies, as they lay blissfully oblivious to the harsh intermittent jungle noises.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At dawn, the three lay in almost the same positions. The hyena\u2019s first bite was to Ren\u00e9\u2019s abdomen. Not one had tried to defend himself. The herd feasted on their corpses.<\/span><\/p>\n<h5 style=\"text-align: right;\"><span style=\"font-weight: 400;\">Translated by Erin Goodman<\/span><\/h5>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Three Sonnets from <\/b><b><i>On the Edge of the Horizon<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">I<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At the edge of the landscape<br \/>\n<\/span><span style=\"font-weight: 400;\">goes life with its brightness and<br \/>\n<\/span><span style=\"font-weight: 400;\">solid shadows, stuck in old cloths<br \/>\n<\/span><span style=\"font-weight: 400;\">that claim to mask the wound,<\/span><\/p>\n<p><span style=\"font-weight: 400;\">that wind along the vast obverse<br \/>\n<\/span><span style=\"font-weight: 400;\">of the soul in its intermittent breath;<br \/>\n<\/span><span style=\"font-weight: 400;\">expatriated in an exilic flash<br \/>\n<\/span><span style=\"font-weight: 400;\">that ceases suddenly in its reversal.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The days, the seasons go by,<br \/>\n<\/span><span style=\"font-weight: 400;\">in the pupils of the crowd, lost<br \/>\n<\/span><span style=\"font-weight: 400;\">in the customary cycles\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">of speculating on the conditions<br \/>\n<\/span><span style=\"font-weight: 400;\">\u2014abstracted, sitting, or squatting\u2014<br \/>\n<\/span><span style=\"font-weight: 400;\">of a trip to who knows what village.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">V<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Like a spark of light that goes out,<br \/>\n<\/span><span style=\"font-weight: 400;\">in the slow passage of hours<br \/>\n<\/span><span style=\"font-weight: 400;\">that mark the beat of each dawn,<br \/>\n<\/span><span style=\"font-weight: 400;\">obsession is bred by certain virtue.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It seemed the radiance of a diamond\u2014<br \/>\n<\/span><span style=\"font-weight: 400;\">sprinkled like holy water<br \/>\n<\/span><span style=\"font-weight: 400;\">over a sole parishioner who meditates<br \/>\n<\/span><span style=\"font-weight: 400;\">prostrate before an extravagant altar.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In reality, a confused gesture,<br \/>\n<\/span><span style=\"font-weight: 400;\">embrace rehearsed a thousand times,<br \/>\n<\/span><span style=\"font-weight: 400;\">the promise of future growth<\/span><\/p>\n<p><span style=\"font-weight: 400;\">uncovering the extent of abuse,<br \/>\n<\/span><span style=\"font-weight: 400;\">motivated by reasons unknown,<br \/>\n<\/span><span style=\"font-weight: 400;\">betrayal ever present, addictive.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">VIII<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The moor, the rope, the precipice<br \/>\n<\/span><span style=\"font-weight: 400;\">complete the dowry of vileness;<br \/>\n<\/span><span style=\"font-weight: 400;\">they offer us the crude certainty of<br \/>\n<\/span><span style=\"font-weight: 400;\">the universality of torture.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Greedy promises notoriously made<br \/>\n<\/span><span style=\"font-weight: 400;\">to serve us up on silver platters,<br \/>\n<\/span><span style=\"font-weight: 400;\">omens the prophet unleashes<br \/>\n<\/span><span style=\"font-weight: 400;\">with gestures revealing<\/span><\/p>\n<p><span style=\"font-weight: 400;\">a euphoria whose aim is the expedited<br \/>\n<\/span><span style=\"font-weight: 400;\">mutation of a spacious, rosy orchard<br \/>\n<\/span><span style=\"font-weight: 400;\">in a garden of bitter truths\u2014<\/span><\/p>\n<p><span style=\"font-weight: 400;\">impunity without mitigation,<br \/>\n<\/span><span style=\"font-weight: 400;\">the insignificance of forgiving, and<br \/>\n<\/span><span style=\"font-weight: 400;\">the insufferable burdens the human back bears.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h5 style=\"text-align: right;\"><span style=\"font-weight: 400;\">Translated by Jonathan Bennett Bonilla<\/span><\/h5>\n<p>&nbsp;<\/p>\n<p class=\"p1\" style=\"text-align: center;\">\t\t<div data-elementor-type=\"page\" data-elementor-id=\"36702\" class=\"elementor elementor-36702 elementor-36698\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t\t<section class=\"has_ae_slider elementor-section elementor-top-section elementor-element elementor-element-2f32464 elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default ae-bg-gallery-type-default\" data-id=\"2f32464\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_ae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0c361a2 ae-bg-gallery-type-default\" data-id=\"0c361a2\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7bf5823 elementor-align-center elementor-widget__width-initial elementor-widget elementor-widget-button\" data-id=\"7bf5823\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/bookshop.org\/lists\/issue-31\" target=\"_blank\" rel=\"noopener\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">COMPRA LOS LIBROS DESTACADOS EN ESTE N\u00daMERO EN NUESTRA P\u00c1GINA DE BOOKSHOP<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/p>\n<p>&nbsp;<\/p>\n<h6><span style=\"font-weight: 400;\">Photo: Pedro Domingos, Unsplash.<\/span><\/h6>\n<p>&nbsp;<\/p>\n<h5><b>Erin Goodman<\/b><span style=\"font-weight: 400;\"> is a literary translator residing in Boston. She selected and translated a collection of poetry by Juana Rosa Pita (b. 1939, Havana) entitled <\/span><i><span style=\"font-weight: 400;\">The Miracle Unfolds <\/span><\/i><span style=\"font-weight: 400;\">(Song Bridge Press, 2021), and the memoir by former Chilean minister Sergio Bitar, <\/span><i><span style=\"font-weight: 400;\">Prisoner of Pinochet<\/span><\/i><span style=\"font-weight: 400;\"> (University of Wisconsin Press, 2017). Her short fiction and poetry translations have appeared in <\/span><i><span style=\"font-weight: 400;\">Poetry International Rotterdam<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">spoKe<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Northwest Review<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Presence<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">New England Review<\/span><\/i><span style=\"font-weight: 400;\">, and <\/span><i><span style=\"font-weight: 400;\">Los Angeles Review<\/span><\/i><span style=\"font-weight: 400;\">, among other publications.<\/span><\/h5>\n<h5><b>Jonathan Bennett Bonilla<\/b><span style=\"font-weight: 400;\"> (they\/them) is a writer, translator, editor, and educator who grew up between languages, moving around the United States, Costa Rica, and Spain. Bennett Bonilla is Chair of the Philosophy Department at Middlesex Community College in Lowell, Massachusetts and also teaches literature and creative writing in the Humanities Department. Their area of specialization and interest is in History, Theory and Practice of Social Movements. Bennett Bonilla is an advocate for social justice and is committed to disrupting white supremacy and cis-hetero-patriarchy in all of its institutional forms. <\/span><\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Introductory Note from City of Asylum: City of Asylum Pittsburgh is honored to have hosted Cuban writer and journalist Jorge Olivera Castillo as a writer-in-residence since November 2021. Jorge has published six books of poetry and two short story collections and is a well-known dissident, whose work has been banned in Cuba. It has been [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":36784,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4167],"tags":[5093],"genre":[],"pretext":[],"section":[],"translator":[],"lal_author":[5121],"class_list":["post-36882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sobre-la-traduccion","tag-numero-31","lal_author-jorge-olivera-castillo-es"],"acf":[],"_links":{"self":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts\/36882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/comments?post=36882"}],"version-history":[{"count":2,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts\/36882\/revisions"}],"predecessor-version":[{"id":37180,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts\/36882\/revisions\/37180"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/media\/36784"}],"wp:attachment":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/media?parent=36882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/categories?post=36882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/tags?post=36882"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/genre?post=36882"},{"taxonomy":"pretext","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/pretext?post=36882"},{"taxonomy":"section","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/section?post=36882"},{"taxonomy":"translator","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/translator?post=36882"},{"taxonomy":"lal_author","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/lal_author?post=36882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}