{"id":28593,"date":"2023-12-01T11:03:23","date_gmt":"2023-12-01T17:03:23","guid":{"rendered":"https:\/\/latinamericanliteraturetoday.org\/?p=28593"},"modified":"2024-01-08T15:11:43","modified_gmt":"2024-01-08T21:11:43","slug":"dos-poemas-2","status":"publish","type":"post","link":"https:\/\/latinamericanliteraturetoday.org\/es\/2023\/12\/dos-poemas-2\/","title":{"rendered":"Dos poemas en lengua ch\u2019ol"},"content":{"rendered":"

Nota del editor: <\/b>La revista <\/span>World Literature Today<\/span><\/i> dedic\u00f3 su edici\u00f3n de septiembre 2023 a las literaturas ind\u00edgenas de las Am\u00e9ricas. Nos complace compartir algunos textos de este n\u00famero de WLT, en edici\u00f3n multiling\u00fce, en la secci\u00f3n de Literatura Ind\u00edgena del presente n\u00famero de LALT.<\/span><\/p>\n

Estos poemas de Miriam Esperanza Hern\u00e1ndez V\u00e1zquez fueron traducidos directamente del ch\u2019ol al ingl\u00e9s por Carol Rose Little y Charlotte Friedman; por lo tanto, los presentamos sin traducci\u00f3n al espa\u00f1ol.<\/span><\/p>\n

Haz click abajo para suscribirte a WLT:<\/span><\/p>\n

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tSUSCRIBIRME A WLT<\/i><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/p>\n

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K\u2019uxb\u00e4 kolel\u00a0<\/b><\/p>\n

Junp\u2019ej k\u2019i\u00f1 tyi chilbe\u00f1tyiyo\u00f1 jkolel.
\n<\/span>CHe\u2019 tyi ks\u00e4kl\u00e4
\n<\/span>tyi ktyaja tyi ipaty ib\u00e4k\u2019 julo\u00f1ib,
\n<\/span>buts, buts\u00f1ab\u00e4 ibuts\u2019il.
\n<\/span>Ji\u00f1i jkolel chokol ya\u2019 tyi bij,
\n<\/span>ya\u2019 tyi ix\u00e4k\u2019 bij baki tyi ujtyi ts\u00e4\u00f1saj,
\n<\/span>tyi ichupil ib\u00e4\u2019tyal ajsajtyel,
\n<\/span>tyi ixujk ji\u00f1i matye\u2019el.
\n<\/span>Xts\u00e4\u00f1sajob tyi ib\u00e4\u2019tyis\u00e4yob
\n<\/span>yik\u2019oty ijulo\u00f1i\u2019tyak ji\u00f1i jkolel,
\n<\/span>tyi ijok\u2019beyo\u00f1ob lok\u2019el tyi ktyojlel,
\n<\/span>lajal tyi its\u00e4\u00f1s\u00e4yob yik\u2019oty iw\u00e4y kyum.\u00a0<\/span><\/p>\n

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The Day They Stole My Childhood\u00a0<\/b><\/p>\n

\u00a0<\/span>I found the bullet<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 the barrel\u00a0\u00a0<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 still smoking\u00a0\u00a0<\/span><\/p>\n

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A murder on the road\u00a0\u00a0<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0a body\u00a0\u00a0<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0devoured by maggots\u00a0<\/span><\/p>\n

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Frightened by rifles\u00a0\u00a0<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 my childhood\u00a0\u00a0<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0hid at the forest edge\u00a0\u00a0<\/span><\/p>\n


\nThey killed\u00a0\u00a0<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 me\u00a0\u00a0<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0and my grandfather\u2019s w\u00e4y*\u00a0<\/span><\/p>\n

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* w\u00e4y \u2013 personal guardian spirit that takes the form of an animal\u00a0<\/span><\/i><\/h6>\n

\u00a0<\/span><\/p>\n

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X-ila\u00a0<\/b><\/p>\n

La\u2019ixme, la\u2019ixme tyi awotyoty,
\n<\/span>la\u2019ix k\u2019uxu awaj awik\u2019oty atyaty a\u00f1a\u2019,
\n<\/span>mach iwe\u00f1ta ity\u00e4\u2019la\u00f1ety ajmoso,
\n<\/span>\u00bfbaki k\u00e4ch\u00e4 icha\u2019a\u00f1ety?
\n<\/span>\u00bfbaki cho\u00f1kol ity\u00e4\u2019la\u00f1ety?
\n<\/span>la\u2019ix k\u2019uxu awaj awik\u2019oty atyaty a\u00f1a\u2019,
\n<\/span>la\u2019ix k\u2019ele api\u2019\u00e4lob, la\u2019ix tyi alas awik\u2019otyob,
\n<\/span>a\u00f1ba amul, a\u00f1ba atyaj\u00f1al,
\n<\/span>al\u00e4letyo, ma\u2019a\u00f1 chuki tyi axujch\u2019ibeyob,
\n<\/span>ma\u2019a\u00f1ku tyi alowoyob,
\n<\/span>ak\u2019e\u00f1ix ikoletyob ty\u00e4lel tyi awotyoty,
\n<\/span>la\u2019ixme al\u00e4l, la\u2019ix,
\n<\/span>la\u2019ix k\u2019uxu awaj awik\u2019oty atyaty a\u00f1a\u2019.\u00a0<\/span><\/p>\n

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\u00a0<\/span>X-ila*\u00a0<\/b><\/p>\n

Come! Come home!\u00a0<\/span><\/p>\n

Eat with your parents. The boys can\u2019t harm you.
\n<\/span>Did they tie you up?
\n<\/span>How did they hurt you? Come, eat
\n<\/span>your food with your parents.
\n<\/span>See your friends. Play! Are you at fault?
\n<\/span>Have you sinned?
\n<\/span>You are still young, nothing\u2019s stolen.
\n<\/span>They\u2019re not hurt.
\n<\/span>Let them free, you can return home.
\n<\/span>Come, child\u2014
\n<\/span>your food, your father, your mother.\u00a0<\/span><\/p>\n

* healer, the one who cares\u00a0<\/span><\/i><\/h6>\n

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Traducci\u00f3n de Carol Rose Little y Charlotte Friedman<\/span><\/h5>\n
Publicado originalmente en <\/span>World Literature Today<\/span><\/i>, vol. 97, no. 5 (September 2023)<\/span><\/a><\/h5>\n

.<\/span><\/p>\n

Compra los libros destacados en este n\u00famero en nuestra p\u00e1gina de Bookshop<\/a><\/center>.<\/span><\/p>\n
Foto: Tila, Chiapas, de Joan C Wrenn, <\/span>Flickr<\/span><\/a>.<\/span><\/h6>\n

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Carol Rose Little<\/b> is an assistant professor of linguistics at the University of Oklahoma. She has been working in Ch\u2019ol communities in Chiapas, Mexico, since 2015. Her translations of Ch\u2019ol poetry with Charlotte Friedman have been published in <\/span>Exchanges<\/span><\/i>, <\/span>Hayden\u2019s Ferry Review<\/span><\/i>, and elsewhere.<\/span><\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Charlotte Friedman<\/b> is a poet, translator, and teacher. Her poetry has been published in journals such as <\/span>Timberline Review<\/span><\/i>, <\/span>Intima<\/span><\/i>, and elsewhere. Friedman and Carol Rose Little\u2019s translations of Ch\u2019ol poetry have been published in <\/span>World Literature Today<\/span><\/i> and elsewhere.<\/span><\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/p>\n
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<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Nota del editor: La revista World Literature Today dedic\u00f3 su edici\u00f3n de septiembre 2023 a las literaturas ind\u00edgenas de las Am\u00e9ricas. Nos complace compartir algunos textos de este n\u00famero de WLT, en edici\u00f3n multiling\u00fce, en la secci\u00f3n de Literatura Ind\u00edgena del presente n\u00famero de LALT. Estos poemas de Miriam Esperanza Hern\u00e1ndez V\u00e1zquez fueron traducidos directamente […]<\/p>\n","protected":false},"author":5,"featured_media":29326,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2892],"tags":[4779,4780],"genre":[],"pretext":[],"section":[],"translator":[],"lal_author":[4761],"class_list":["post-28593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura-indigena","tag-issue-28-es","tag-numero-28-es","lal_author-miriam-esperanza-hernandez-vazquez-es"],"acf":[],"_links":{"self":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts\/28593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/comments?post=28593"}],"version-history":[{"count":11,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts\/28593\/revisions"}],"predecessor-version":[{"id":29468,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts\/28593\/revisions\/29468"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/media\/29326"}],"wp:attachment":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/media?parent=28593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/categories?post=28593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/tags?post=28593"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/genre?post=28593"},{"taxonomy":"pretext","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/pretext?post=28593"},{"taxonomy":"section","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/section?post=28593"},{"taxonomy":"translator","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/translator?post=28593"},{"taxonomy":"lal_author","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/lal_author?post=28593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}