{"id":1831,"date":"2017-10-29T19:53:26","date_gmt":"2017-10-30T01:53:26","guid":{"rendered":"http:\/\/latinamericanliteraturetoday.wp\/2017\/10\/sample-colombian-poetry-camila-charry-noriega\/"},"modified":"2023-06-07T07:57:48","modified_gmt":"2023-06-07T13:57:48","slug":"sample-colombian-poetry-camila-charry-noriega","status":"publish","type":"post","link":"https:\/\/latinamericanliteraturetoday.org\/es\/2017\/10\/sample-colombian-poetry-camila-charry-noriega\/","title":{"rendered":"&#8220;Una muestra de poes\u00eda colombiana&#8221; de Camila Charry Noriega"},"content":{"rendered":"<style type=\"text\/css\">p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Georgia; color: #325f18}<br \/>p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Times; min-height: 14.0px}<br \/><\/style>\n<style type=\"text\/css\">p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Georgia}<br \/>p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Times; min-height: 14.0px}<br \/><\/style>\n<p>Los presentes autores, heterog\u00e9neos tanto en su lenguaje como en su apuesta, son oriundos de distintas regiones de Colombia y son evidencia de esta variada geograf\u00eda sobre la que la poes\u00eda se arroja siempre a nuevas b\u00fasquedas. La presente selecci\u00f3n, por lo tanto, no es m\u00e1s que una breve muestra para LALT.<\/p>\n<p>Hablar de afinidades entre este grupo de poetas tiene que ver\u00a0 con el hecho de que encuentran en la poes\u00eda su oficio y su casa y con que los une el ser colombianos, salvo eso no se pueden agrupan bajo una intenci\u00f3n colectiva o vanguardia. No hay una est\u00e9tica determinada, solo la libertad ejercida sobre un lenguaje com\u00fan, el espa\u00f1ol.\u00a0 El lector encontrar\u00e1 adem\u00e1s la gran diferencia generacional que hay entre los primeros y los \u00faltimos,\u00a0 y esto pretende ser garant\u00eda de una pluralidad que encuentro fundamental.<\/p>\n<p>Agrupar por generaciones o est\u00e9ticas determinadas no solo es ambicioso y coartador; me resulta m\u00e1s arbitrario que elegir desde las afecciones, pues al fin y al cabo lo que motiva esta muestra no es la antip\u00e1tica distinci\u00f3n entre poetas j\u00f3venes y consolidados, sino la unificaci\u00f3n de un nombre: poetas, independientemente de su edad.<\/p>\n<p>Lo que hay ac\u00e1 en concreto es un trabajo con la palabra que se manifiesta desde diversas potencias y que nombra lo que nos atraviesa, lo que nos contiene.<\/p>\n<p style=\"text-align: right;\">Camila Charry Noriega<\/p>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 133px; margin: 10px; float: left;\" title=\"Juan Manuel Roca\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/juanmanuelrocacarlosmariolema.jpg\" alt=\"Juan Manuel Roca\" data-delta=\"1\" data-fid=\"534\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/po%C3%A9tica-de-juan-manuel-roca\">&#8220;Po\u00e9tica&#8221; de Juan Manuel Roca<\/a><\/h4>\n<h4><\/h4>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 171px; margin: 10px; float: left;\" title=\"Amparo Osorio\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/amparoosorio.jpg\" alt=\"Amparo Osorio\" data-delta=\"1\" data-fid=\"535\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/intemperie-de-amparo-osorio\">&#8220;Intemperie&#8221; de Amparo Osorio<\/a><\/h4>\n<p>&nbsp;<\/p>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 370px; margin: 10px; float: left;\" title=\"Mery Yolanda S\u00e1nchez\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/meryyolandasanchez.jpg\" alt=\"Mery Yolanda S\u00e1nchez\" data-delta=\"1\" data-fid=\"536\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/dos-d%C3%ADas-para-l%C3%A1zaro-de-mery-yolanda-s%C3%A1nchez\">&#8220;Dos d\u00edas para L\u00e1zaro&#8221; de Mery Yolanda S\u00e1nchez<\/a><\/h4>\n<p>&nbsp;<\/p>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 300px; margin: 10px; float: left;\" title=\"Pedro Arturo Estrada\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/pedroarturoestrada.jpg\" alt=\"Pedro Arturo Estrada\" data-delta=\"1\" data-fid=\"537\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/perfecta-irrealidad-de-pedro-arturo-estrada\">&#8220;Perfecta irrealidad&#8221; de\u00a0Pedro Arturo Estrada<\/a><\/h4>\n<p>&nbsp;<\/p>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 166px; margin: 10px; float: left;\" title=\"Mar\u00eda Tabares\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/mariatabares.jpg\" alt=\"Mar\u00eda Tabares\" data-delta=\"1\" data-fid=\"538\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/la-luz-y-la-sombra-constituyen-la-casa-de-mar%C3%ADa-tabares\">&#8220;La luz y la sombra constituyen la casa&#8221; de Mar\u00eda Tabares<\/a><\/h4>\n<h4><\/h4>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 300px; margin: 10px; float: left;\" title=\"Alejandro Cort\u00e9s Gonz\u00e1lez\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/alejandrocortesgonzalez.jpg\" alt=\"Alejandro Cort\u00e9s Gonz\u00e1lez\" data-delta=\"1\" data-fid=\"539\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/los-aguaceros-de-alejandro-cort%C3%A9s-gonz%C3%A1lez\">&#8220;Los aguaceros&#8221; de Alejandro Cort\u00e9s Gonz\u00e1lez<\/a><\/h4>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 132px; margin: 10px; float: left;\" title=\"Luc\u00eda Estrada\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/luciaestrada.jpg\" alt=\"Luc\u00eda Estrada\" data-delta=\"1\" data-fid=\"540\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/voy-por-la-ciudad-desierta-de-luc%C3%ADa-estrada\">&#8220;Voy por la ciudad desierta&#8221; de Luc\u00eda Estrada<\/a><\/h4>\n<p>&nbsp;<\/p>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 113px; margin: 10px; float: left;\" title=\"Juan Guillermo S\u00e1nchez\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2018\/07\/juanguillermosanchez.jpg\" alt=\"Juan Guillermo S\u00e1nchez\" data-delta=\"1\" data-fid=\"541\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/sin-t%C3%ADtulo-de-juan-guillermo-s%C3%A1nchez\">&#8220;Sin t\u00edtulo&#8221; de Juan Guillermo S\u00e1nchez<\/a><\/h4>\n<p>&nbsp;<\/p>\n<h4><\/h4>\n<h4><\/h4>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 150px; margin: 10px; float: left;\" title=\"Andrea Cote-Botero\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/andreacotebotero.jpg\" alt=\"Andrea Cote-Botero\" data-delta=\"1\" data-fid=\"542\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/la-merienda-de-andrea-cotebotero\">&#8220;La merienda&#8221; de Andrea Cote-Botero<\/a><\/h4>\n<p>&nbsp;<\/p>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 176px; margin: 10px; float: left;\" title=\"Henry Alexander G\u00f3mez\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/henryalexandergomez.jpg\" alt=\"Henry Alexander G\u00f3mez\" data-delta=\"1\" data-fid=\"544\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/janis-joplin-de-henry-alexander-g%C3%B3mez\">&#8220;Janis Joplin&#8221; de Henry Alexander G\u00f3mez<\/a><\/h4>\n<p>&nbsp;<\/p>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 201px; margin: 20px; float: left;\" title=\"Margarita Losada Vargas\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/margaritalosadavargas.jpg\" alt=\"Margarita Losada Vargas\" data-delta=\"1\" data-fid=\"545\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/eterno-de-margarita-losada-vargas\">&#8220;Eterno&#8221; de Margarita Losada Vargas<\/a><\/h4>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 133px; margin: 10px; float: left;\" title=\"Tania Ganitsky\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/taniaganitsky.jpg\" alt=\"Tania Ganitsky\" data-delta=\"1\" data-fid=\"546\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/dicen-que-la-%C3%BAltima-llama-de-tania-ganitsky\">&#8220;Dicen que la \u00faltima llama&#8221; de Tania Ganitsky<\/a><\/h4>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 150px; margin: 10px; float: left;\" title=\"Jenny Bernal\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/jennybernal.jpg\" alt=\"Jenny Bernal\" data-delta=\"1\" data-fid=\"547\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/la-casa-de-jenny-bernal\">&#8220;La casa&#8221; de\u00a0Jenny Bernal<\/a><\/h4>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 299px; margin: 20px; float: left;\" title=\"Juan Afanador\" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/juanafanador.jpg\" alt=\"Juan Afanador\" data-delta=\"1\" data-fid=\"548\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/en\/2017\/october\/distance-you-can-only-ask-juan-afanador\">&#8220;From a Distance, You Can Only Ask&#8221; de Juan Afanador<\/a><\/h4>\n<p>&nbsp;<\/p>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4><img decoding=\"async\" style=\"width: 200px; height: 150px; margin: 10px; float: left;\" title=\"Robert Max Steenkist \" src=\"https:\/\/latinamericanliteraturetoday.org\/wp-content\/uploads\/2017\/10\/robertmaxsteenkist.jpg\" alt=\"Robert Max Steenkist \" data-delta=\"1\" data-fid=\"605\" data-media-element=\"1\" \/><a href=\"http:\/\/www.latinamericanliteraturetoday.org\/es\/2017\/octubre\/r%C3%ADo-magdalena-de-robert-max-steenkist\">&#8220;R\u00edo Magdalena&#8221; de Robert Max Steenkist<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Lo que hay ac\u00e1 en concreto es un trabajo con la palabra que se manifiesta desde diversas potencias y que nombra lo que nos atraviesa, lo que nos contiene.<\/p>\n","protected":false},"author":3,"featured_media":1560,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[2963,2990,4461],"genre":[2010],"pretext":[],"section":[2374],"translator":[2458],"lal_author":[3206],"class_list":["post-1831","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-colombia-es","tag-colombia-es-2","tag-numero-4","genre-poetry-es","section-dossier-colombian-poetry-2-es-2","translator-arthur-malcolm-dixon-es","lal_author-camila-charry-noriega-es-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts\/1831","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/comments?post=1831"}],"version-history":[{"count":0,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts\/1831\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/media\/1560"}],"wp:attachment":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/media?parent=1831"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/categories?post=1831"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/tags?post=1831"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/genre?post=1831"},{"taxonomy":"pretext","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/pretext?post=1831"},{"taxonomy":"section","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/section?post=1831"},{"taxonomy":"translator","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/translator?post=1831"},{"taxonomy":"lal_author","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/lal_author?post=1831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}