{"id":15127,"date":"2022-06-07T18:04:20","date_gmt":"2022-06-08T00:04:20","guid":{"rendered":"https:\/\/latinamericanliteraturetoday.org\/2022\/06\/cinco-haikus-ilustrados\/"},"modified":"2023-05-23T20:44:01","modified_gmt":"2023-05-24T02:44:01","slug":"cinco-haikus-ilustrados","status":"publish","type":"post","link":"https:\/\/latinamericanliteraturetoday.org\/es\/2022\/06\/cinco-haikus-ilustrados\/","title":{"rendered":"Cinco haikus ilustrados"},"content":{"rendered":"\t\t
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\"\"<\/p>\n

Iyak\u2019 ji\u00f1i ik\u2019
tikla-kukla tyi ipam witstyak,
tyi ipam-pa\u00f1cha\u00f1.<\/p>\n

<\/p>\n

Viento: jinete
que cabalga en el lomo
de la pradera.<\/p>\n


<\/span><\/p>

 <\/span><\/p>\n

\"\"<\/p>\n

S\u00e4s\u00e4k xk\u2019ux siptyak
woli la\u2019 jap s\u00e4k tyokal
ts\u2019uj jap\u00e4mela.<\/p>\n

<\/p>\n

Las blancas garzas
cometas inundando
r\u00edo de nubes.<\/p>


<\/p>


<\/p>\n

<\/p>\n

\"\"<\/p>\n

Ma\u2019a\u00f1ix iyopol,
tyekwa\u2019alixtyob\u00e4 tye\u2019
mi sow mek\u2019 pa\u00f1cha\u00f1.<\/p>\n

\u00c1rbol sin hojas
es pulpo bocarriba,
abraza el cielo.<\/p>\n

 <\/span><\/p>\n

 <\/span><\/p>\n

\"\"<\/p>\n

Tyi petyol cholel
s\u00e4k\u2019ajel woli tyi \u00f1ich
tyi wich\u2019 ili ik\u2019.<\/p>\n

La verde milpa:
aurora espigando las
alas del viento.<\/p>\n

 <\/span><\/p>\n

 <\/span> <\/span><\/p>\n

\"\"<\/p>\n

Tyi ib\u00e4k\u2019tyak iwuty bajlum
l\u00e4m\u00e4-l\u00e4m\u00e4l ji\u00f1i uw
mi its\u2019\u00e4y k\u2019\u00e4k\u2019a\u00f1 matye\u2019el.<\/p>\n

En las pupilas del jaguar
la encendida luna
es una flor del bosque.<\/p>


<\/p>\n

<\/p>\n

Traducciones al espa\u00f1ol del autor
<\/span>Ilustraciones de Marco Antonio L\u00f3pez Arcos
<\/span>Del libro <\/span>Ch\u00e4np\u2019e ib\u00e4k\u2019tyak k\u2019ay cha\u2019a\u00f1 ju\u00f1tyikil alob\/Cuatro semillas para cantar a un ni\u00f1o\/Four Seeds to Sing to a Child<\/span><\/i><\/h5>\n
 <\/span><\/i><\/div>\n
\n
 <\/i><\/span><\/div>\n
\"\"Marco Antonio L\u00f3pez Arcos <\/b>is Maya Ch\u2019ol, born in the town of 20 de Noviembre, Palenque, Chiapas. At four years old he participated in the \u201cOur Ecosystem\u201d painting competition, winning first prize. In secondary school he took part in the \u201cAlmas Libres\u201d competition sponsored by the Aluxes Zoo in Palenque, with the painting he produced winning first place. He studied general nursing in his hometown, but has remained focused on art. In early 2020 he participated in the cultural brigades sponsored by the Fray Pedro Lorenzo de la Nada Cultural Center in Palenque, Chiapas. He has learned a number of painting techniques from Jorge Antonio Manzo Barrios, the visual artist and muralist from Palenque, Chiapas.<\/span><\/h5>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Iyak\u2019 ji\u00f1i ik\u2019 tikla-kukla tyi ipam witstyak, tyi ipam-pa\u00f1cha\u00f1. Viento: jinete que cabalga en el lomo de la pradera.     S\u00e4s\u00e4k xk\u2019ux siptyak woli la\u2019 jap s\u00e4k tyokal ts\u2019uj jap\u00e4mela. Las blancas garzas cometas inundando r\u00edo de nubes.     Ma\u2019a\u00f1ix iyopol, tyekwa\u2019alixtyob\u00e4 tye\u2019 mi sow mek\u2019 pa\u00f1cha\u00f1. \u00c1rbol sin hojas es pulpo bocarriba, […]<\/p>\n","protected":false},"author":3,"featured_media":15088,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2892],"tags":[3950],"genre":[],"pretext":[],"section":[2360],"translator":[2569],"lal_author":[4029],"class_list":["post-15127","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura-indigena","tag-number-22-es","section-indigenous-literature-es","translator-paul-m-worley-es-2","lal_author-canario-de-la-cruz-es"],"acf":[],"_links":{"self":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts\/15127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/comments?post=15127"}],"version-history":[{"count":0,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/posts\/15127\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/media\/15088"}],"wp:attachment":[{"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/media?parent=15127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/categories?post=15127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/tags?post=15127"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/genre?post=15127"},{"taxonomy":"pretext","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/pretext?post=15127"},{"taxonomy":"section","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/section?post=15127"},{"taxonomy":"translator","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/translator?post=15127"},{"taxonomy":"lal_author","embeddable":true,"href":"https:\/\/latinamericanliteraturetoday.org\/es\/wp-json\/wp\/v2\/lal_author?post=15127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}